原标题：海关出台18条措施 支持前海全面深化改革开放羊城晚报讯 记者李艺戈、通讯员张弓报道：日前，在《全面深化前海深港现代服务业合作区改革开放方案》发布一周年之际，海关总署发布18条措施，支持前海深港现代服务业合作区全面深化改革开放，在深港规则对接、跨境要素便捷流动、建设深港现代服务业综合保税区等三方面，全力支持深港现代服务业合作区打造粤港澳大湾区全面深化改革创新试验平台，建设高水平对外开放门户枢纽，为前海发展再次注入新动能。
The Girl Who Was FiredA virtual AI actress has gathered massive followers and stirred widespread heated debate on Chinese social media - unlike conventional celebrities, this breakout star is entirely artificially generated.
Fang Taozi, an AI-generated character who stars in the hit AI short drama series The Girl Who Was Fired, has posted lifestyle vlogs, launched social media accounts, shared her breakfasts, workouts and pets, landed brand deals and has a fanbase.
Since the drama debuted on short video platform Douyin on June 12, it has accumulated 200 million views. Fang's Douyin account has attracted more than 400,000 followers.
Fans interact with her as if she were a real celebrity, creating fan edits, discussing fictional relationships and building a community around her imagined life.
This raises a question that has become increasingly urgent for the entertainment industry: Does Fang Taozi represent the first generation of AI celebrities? The answer depends on how "celebrity" is defined, said Zhang Peng, a cultural researcher and associate professor at Nanjing Normal University, in an interview.
If celebrity status is measured by public attention, emotional connection and commercial value, Fang appears to meet many of the criteria. She has fans, a personal brand and even advertising opportunities.
Whether AI can truly become stars depends not on the technology itself, but on their ability to forge genuine emotional connections with audiences and sustain their appeal over time, added Zhang.
However, Shi Wenxue, a Beijing-based cultural critic, argues that AI stars have indeed emerged, but they should be viewed as part of the broader lineage of virtual idols.
From the 1958 US virtual musical group Alvin and the Chipmunks to Hatsune Miku, Luo Tianyi and the hyper-realistic digital human Liu Yexi, virtual performers have existed in various forms for decades.
From the perspective of how she is created, Fang Taozi represents a technological advance. Her emergence is largely a product of the current economic environment of the film and television industry.
The rise of AI performers has also triggered concerns among human actors, especially those working in smaller productions.
Human performers bring personal experience, emotional interpretation and unpredictability - qualities that remain difficult to reproduce. But for industries that require large volumes of affordable content, AI characters offer obvious advantages: They do not age, can work continuously and can be customized for different audiences.
AI short dramas are cheaper, faster and free from the risks associated with human performers, raising concerns over the future of lower-level entertainment jobs in areas such as short dramas, advertising, background acting and voice work, said Zhang.
In Shi's view, beneath the debate lies a familiar tension: technological efficiency versus the threat of displacement for human workers.
The question is not whether AI will completely replace actors, but which parts of acting and entertainment can be automated, he noted.
Rather than presenting an AI figure only as a digital image, Chinese platforms appear to be building complete entertainment ecosystems around AI characters, including dramas, social accounts, fan interactions and commercial partnerships.
China's AI stars have grown out of the audience's desire for emotional companionship, while Hollywood's AI experiments have been shaped by industry battles over efficiency and costs, noted Zhang.
According to Shi, Fang Taozi's sudden popularity is, in many ways, a reflection of audience psychology. Whether they are moviegoers, fans or casual viewers, audiences have grown weary of formulaic content, scripted fan service, predictable performances and fragile celebrity personas. An idol like Fang Taozi offers an alternative: She cannot be involved in scandals, play diva or break character, and her persona can be adjusted to meet audience demands. But the model also comes with risks, particularly the limitations of its creators and the potential for excessive commercialization.
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B | 深圳海关相关负责人介绍，深圳海关将全力落实海关总署出台的支持措施，多渠道多方式加强政策宣传解读，帮助企业用好用足18条措施，充分释放政策红利，支持前海深港现代服务业合作区全面深化改革开放，为促进香港经济社会发展、提升粤港澳合作水平、构建对外开放新格局贡献海关力量。据了解，为推动深港融合发展，海关将在前海深港现代服务业合作区践行“智慧海关、智能边境、智享联通”理念，试点建设跨境贸易大数据平台、深港“一单两报”、支持中新（深圳）跨境贸易数据国际互联互通项目，推动实现跨境数据互联、单证互认、监管互助。
C | 同时，发挥前海先行先试优势，聚焦深港规则对接，开展深港两地规则制度“软联通”合作，共商共建两地工作沟通机制，推进深港两地监管规则和检测标准的衔接，试点“一次检测、一次认证、一体通行”。
D | 在不断推动传统货物跨境贸易便利化的同时，此次措施结合前海特点，进一步在会展业发展、科研材料通关、跨境人员便利等方面发力，更加充分发挥前海现代服务业的优势。比如，为助力前海国际会展产业发展，海关将支持深港澳会展业“一展三地”联动，优化参展出入境及展品通关便利措施，打造数字化、智能化、便利化、集约化的展会全流程监管模式。此外，前海综合保税区作为前海重要的产业聚集地，海关将支持建设具有深港现代服务业特色的综合保税区，推动区域功能向全球供应链管理服务型、贸易结算型、资源配置型转型。支持建设电子元器件和集成电路国际交易中心、打造免税品集散中心等，为前海产业集聚打造新模式提供新动能。返回搜狐，查看更多责任编辑：
